Here’s an encore post, written four (FOUR!) years ago, with the first bit of video we shot for A Life’s Work. I hope you like it. I was having lunch with my friend and colleague, cinematographer Wolfgang Held (who shot … Continued
I have no illusions about my relationship with Paolo Soleri and Arcosanti. I was never a workshopper and I never lived there. I am an outsider, and worse than that, a filmmaker, that breed of human notorious for dropping in, … Continued
Last week in How to Conduct an Interview Part 1, I dealt with preparation. This post features some pointers once you are sitting across from the interviewee with your questions in hand. Ready? Go! (Note: Make sure to read this … Continued
So, You Want to Conduct an On-Camera Interview… I don’t usually do how-tos, but a few times in the past year I’ve been approached by people who want to make a documentary and they always ask me, among other things, how … Continued
A long, long time ago, about a thousand years ago, I had the idea for this film and the first person I reached out to was Paolo Soleri. As I wrote in a very early post, we spoke on the … Continued
Jessica Roth, writer, guest blogger, and friend of A Life’s Work, took these photos on a recent trip to Arizona and sent this bit of text along to accompany them. I make an annual sojourn to this spot…alongside the river, … Continued
Apocalypse, Now! The other night I was on the subway, on the way to meet a filmmaker who was directing a documentary about nature writer Sigurd Olson, when a man of about thirty-five sat next to me. He put his … Continued
One of the reasons I keep blogging is it seems to lead A Life’s Work down roads it might not otherwise go down. Case in point: Jeff Stein, AIA In the summer of 2012 I had the idea of conducting … Continued
I’m reposting Kate Hill Cantrill’s guest stint because her short story collection, Walk Back from Monkey School, is NOW AVAILABLE, and that’s how we treat our guest bloggers here at A Life’s Work headquarters. Kate Hill Cantrill’s writing has appeared in … Continued
Editing: A Day in a Life I’m editing a Soleri section of the film, and it’s giving me fits. I try this. I like it. I look at a little later and I don’t like it. I change it. I … Continued