A Lot with a Little
I was going through my closet the other day and came across a flat file that contained this: This poster, designed by Heidi Fener, is for my first film, 8 1/2 x 11. (Heidi also designed the poster, postcards and … Continued
I was going through my closet the other day and came across a flat file that contained this: This poster, designed by Heidi Fener, is for my first film, 8 1/2 x 11. (Heidi also designed the poster, postcards and … Continued
Here are the first few images shot for A Life’s Work (fall 2006). It’s a distillation of the first twenty minutes of footage. It’s only after twenty minutes of tape that the fifth shot, the one of Arcosanti, appears, … Continued
August 18, 2010 – Inyo National Forest: Patriarch Grove I had an idea that I’d capture the sunrise, which meant getting out of bed around 3am. But insomnia, exhaustion from the day before, and mostly not having spotted a good … Continued
August 17, 2010 – Schulman Grove, Inyo National Forest, CA I did not die on the mountain. Too busy working to be wowed by the trees. Or maybe I was in a constant state of wow? Don’t think I worked … Continued
I don’t keep a daily journal, but I do keep shoot journals and editing journals. Here is an excerpt from the recent Bristlecone Pine Pine Forest shoot journal. August 16, 2010 Travel day. Six hour flight to San Francisco, six … Continued
Last call for the contest. Honest. This is it friends.
By Guest Blogger Andy Bowley. This post is best read in conjunction with Andy’s piece about testing his Canon 5D Mark II DSLR camera and various lens for our shoot in Waco, Texas. I can probably blame Philip Bloom for … Continued
I recently watched “The Making of Touch the Sound,” one of the extras on Thomas Riedelsheimer’s film about percussionist Evelyn Glennie. In it Riedelsheimer reveals that he envisioned the staged improvisational musical segments between Glennie and composer Fred Frith to … Continued
I was having lunch with my friend and colleague, cinematographer Wolfgang Held (who shot Tango Octogenario), and I told him I was thinking about making a documentary. Wolfgang’s background is in documentary film, so naturally he wanted to hear more. … Continued
I can usually pinpoint the moment one of my works was conceived. With A Life’s Work, I cannot precisely state day and date, but I can say with certainty the events that inspired it. When I was nine years old … Continued