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Marquee showing A Life's Work

Editing

Bristlecone Pine Trees: A Clip and an Argument Between DP and Editor
5 Sep 2012

Bristlecone Pine Trees: A Clip and an Argument Between DP and Editor

by David Licata | posted in: The Film | 0

The Bristlecone Pine Tree [youtube]http://youtu.be/5cHwkHRaJTg[/youtube] Excuse Me While I Go Schizo I came across this shot while editing a sequence on bristlecone pine trees and the Milarch’s successful cloning of the Methuselah tree and I immediately got into an argument with … Continued

Bristlecone Pine Trees, cinematography, Clips, David & Jared Milarch, Editing
Editing and Heitor Villa-Lobos
17 Aug 2012

Editing and Heitor Villa-Lobos

by David Licata | posted in: Arcosanti | 4

Editing: A Day in a Life I’m editing a Soleri section of the film, and it’s giving me fits. I try this. I like it. I look at a little later and I don’t like it. I change it. I … Continued

Arcosanti, classical guitar, Editing, guitar instruction, Heitor Villa-Lobos, John Williams, other obsessions, Paolo Soleri
On the Nose. Too on the Nose?
1 May 2012

On the Nose. Too on the Nose?

by David Licata | posted in: Black Gospel Music Restoration Project | 3

A couple of years ago I met with an editor about editing the sample for A Life’s Work. The conversation eventually turned to music for the film. One idea I told her I had idea was of staging a choir … Continued

Black Gospel Music Restoration Project, Clark Sisters, Editing, gospel music, Kevin Nutt, music, Sinner's Crossroads, WFMU
Eyes on the Screen, Ass in the Chair
4 Feb 2012

Eyes on the Screen, Ass in the Chair

by David Licata | posted in: SETI, The Film | 12

I thought of this post the other day. It seems as relevant now as it was then, so I thought I’d repost it. I had spent the previous days working on a grant proposal, and now that that was done … Continued

Editing, SETI
On the Cutting Room Floor
16 Nov 2011

On the Cutting Room Floor

by David Licata | posted in: Black Gospel Music Restoration Project, The Film | 2

In the last post, I offered up a clip featuring Bob Darden speaking about why so much gospel music is missing. The clip I posted runs almost four minutes. I had a longer cut, but I thought it was running … Continued

Black Gospel Music Restoration Project, Editing, Robert Darden
“I’ll Show You the Life of the Mind!”
16 Aug 2011

“I’ll Show You the Life of the Mind!”

by David Licata | posted in: Other Work | 0

One of the things that gives me fits while editing A Life’s Work is the establishing shot. (And this documentary will require a lot of them.) An establishing shot does what its name suggests: it tells the viewer, “You are … Continued

Barton Fink, Coen Brothers, Editing, establishing shots, other films
John Muir, Always Quotable.
14 Jun 2011

John Muir, Always Quotable.

by David Licata | posted in: Quotes | 3

When we try to pick out anything by itself, we find it hitched to everything else in the universe. Muir was talking about the natural world, but I like to think this applies to many things, including film editing. One … Continued

Editing, John Muir, Quotes
The Other Subject – An Etruscan Expert? A Clip
7 Jun 2011

The Other Subject – An Etruscan Expert? A Clip

by David Licata | posted in: Clips | 2

I had an idea early on that I wanted to include someone trying to decipher an ancient language; code breaking, essentially. I researched and discovered that Etruscan was one of these undeciphered languages. Etruscan. Tuscany. My ancestors. Very exciting stuff. … Continued

antiquities, Clips, Editing, Etruscan, Larissa Bonfante, NYU, process, Rob Featherstone
Why Is This Pinned to My Corkboard? Part 4
3 Jun 2011

Why Is This Pinned to My Corkboard? Part 4

by David Licata | posted in: The Film | 6

I came across this excellent blog post, Developing Your Creative Practice: Tips from Brian Eno by Scott McDowell. There’s a nice paragraph about a tool Mr. Eno uses: Oblique Strategies cards, a series of prompts modeled after the I Ching … Continued

Brian Eno, Editing, On the Corkboard, Walter Murch
How Do You Know When You’re Done?
31 May 2011

How Do You Know When You’re Done?

by David Licata | posted in: Other Work, The Film | 0

I met Josephine Crawford, artist, one time Arcosanti resident, and A Life’s Work supporter, via the wonderful world of Facebook. We’ve had interesting exchanges over the course of our friendship, mostly via the FB comments. She left the first comment … Continued

Editing, Facebook, Jackson Pollock, Josephine Crawford, other obsessions, Painting

Posts pagination

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Los Angeles Times summary of A Life's Work.

Filmed over 15 years in locations throughout the US, A LIFE'S WORK is a documentary about long-term thinking, a meditation on Deep Time, a film essay about legacy.

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