A Bridge by Paolo Soleri: A Clip
On December 11, 2010, the Soleri Bridge and Plaza will officially open in Scottsdale, AZ. When I interviewed Soleri this past July, I asked him if he had any thoughts on the fact that the amphitheater he designed and built … Continued
Admit It, You Want to Subscribe to This Blog.
You visit this blog once in a while. Maybe you even like it a little. But you’re busy, I know, and you can’t be expected to come here twice a week to read these scintillating posts. But you don’t want … Continued
A Lot with a Little
I was going through my closet the other day and came across a flat file that contained this: This poster, designed by Heidi Fener, is for my first film, 8 1/2 x 11. (Heidi also designed the poster, postcards and … Continued
Thank You
Baylor University, Dean Pattie Orr, Tony Tadey, Darryl Stuhr, Tim Logan, Amanda Harlan, Eric Spenser, Denyse Rodgers, The World Science Festival, Nicole London, Jessica Bari, everyone at the MacDowell Colony, Stacey D’Erasmo, Alex Halberstadt, Christian Barter, Matthew Connors, Janine Nabers, … Continued
In a Word…
I took Yasujiro Ozu’s The Only Son out of the library and I’ve been looking a lot at the DVD artwork, designed by Adrian Tomine. And I love it. Why? First, it is very suited to the film and to … Continued
What’s It All About?
I wrote this post for Extra Criticum about a year ago and miracle of miracles, it’s still valid. It’s slightly different from the original post: my E.C. persona and my documentary filmmaker persona are slightly different so I made a … Continued
Why Is This Pinned to My Corkboard? Part 1
Cinematographers travel with a lot of equipment, and it all looks scary when viewed through an airport x-ray machine. That’s why every time they fly somewhere and unpack the gear bag that’s been checked, they’ll pull out one of these: … Continued
My Other Hat, Part 3
Update: You can read the story here, on the blog. “There Is Joy before the Angels of God,” a story I wrote that appeared in The Literary Review’s Winter 2010 issue, is available online. So if you missed out on … Continued
Process – This Is How I Look: A Clip
Here are the first few images shot for A Life’s Work (fall 2006). It’s a distillation of the first twenty minutes of footage. It’s only after twenty minutes of tape that the fifth shot, the one of Arcosanti, appears, … Continued
One Beginning, Many Starts?
October 30, 2006, cinematographer Wolfgang Held and I landed in Phoenix and drove north to Cordes Junction, where we’d spend the next three days shooting Arcosanti, Cosanti, Dome House, and interview Paolo Soleri. November 3, 2006 we left Cordes Junction … Continued