Tag Archives: Artspire

Words More Sustaining Than Money

Words Keep Me Going

Thank you, generous gentleman. (I blurred his name because he’s a private sort of fellow.)

You can make a tax-deductible donation, too. While you’re there, why don’t you leave a note.

Birds of A Life’s Work

Like most people, birds fascinate me. I’m not a birder, not even close, but I enjoy listening to and looking at them. I also enjoy filming them, when they’ll cooperate, which isn’t often. Working with cats and kids are a cakewalk compared to birds.

Here are some shots the cinematographers of A Life’s Work captured. The first two minutes were shot by Wolfgang Held in Copemish and Manistee, Michigan, Chicago, Illinois, and Cordes Junction (Arcosanti), Arizona. I shot the next thirty seconds at Baylor University in Waco, Texas.* Andy Bowley shot the remainder of the clip at the Allen Telescope Array in Hat Creek, California. There is sound throughout, but it’s very quiet. The first shots were taken from inside looking out, so you won’t hear any chirping or squawking or feather-rustling or nothing.

It was fun putting this clip together and I find it very soothing to watch. I tried to tell a little story with the SETI footage.

What do you make of it? Do you have a favorite shot?

And if any of you birders out there would care to identify some of these beauties, please leave a comment here or on Facebook or send me a direct message. Thanks.

* My lame shots have no business being sandwiched between such fine work, but I like the sound of grackles, so I decided to use that footage.

In addition to monetary help, there are many ways you can support A Life’s Work. Why not consider being a part of  the film’s growing community.

Crowdfunding and A Life’s Work: Advice from a Consultant

Back in the summer of 2010, when the A Life’s Work blog was just a mere baby blog, a reader took advantage of the Ask the Filmmaker feature to ask about crowdfunding:

Dear Filmmaker,

Have you considered using Kickstarter for A Life’s Work?

DP

I get asked this about once a month, and the answer I gave then and the answer I’ll give now, even after working as a “crowdfunding consultant” on two films, Out on a Limb and Humble Beauty: Skid Row Artists (happening now!  campaign ends 11:59pm, Sept 15, 2012!) are pretty much the same.

Yes, but…

I still believe people are more willing to help out when the film is closer to completion. Or perhaps even completed and marketing and distribution funds are needed. That stuff costs a bundle and filmmakers are notorious for not budgeting for them. And the amount I need to get the film near completion is well above what I can raise via crowdfunding.

Crowdfunding Lessons Learned
David Licata, crowdfunding consultant
David Licata (right), crowdfunding consultant.

When I tell friends about my crowdfunding consultant hat (I’m available, email me), they often comment that I must be learning a lot that will come in handy when  I’m ready to fire up A Life’s Work’s campaign. And they’re right, I have. Here’s the short list.

  1. Start early. Like, yesterday. The one good thing about the pace of A Life’s Work is that it has allowed me to build an audience. (You, dear reader!) It’s also given me time to collect materials and jot down ideas that I might use during the campaign.
  2. Don’t even think of doing it alone. Enlist three, four, or more people to help, and those people should have skills that fill certain needs. Get a person who’s good on the phones to make calls to foundations and corporations. They sometimes have discretionary funds and if your project fits nicely with their mission, you might get lucky. Get a social media wizard, or two. These people know how to spread the word. Get a writer who can produce updates and eblasts (this is usually my role). All of these people  should be social media savvy and have large networks they can appeal to. And please pay these people. Well.
  3. Give away good perks. Every filmmaker gives away DVDs and posters. Try to think beyond that. A sci-fi graphic novel I recently gave to offered to name characters after donors of a certain level. A friend of mine who crowdfunded an upcoming artist residency to the Arctic Circle offered to send postcards from exotic stops on her way to the top of the world.
  4. Use a lot of images. On your fundraising page and in your pitches on Facebook, etc. A captivating image is more likely to be shared on FB than any text. The writer part of me dislikes this. The filmmaker part of me thinks this is just fine.
  5.  Make a great pitch video. Don’t be afraid to show your personality. Don’t go over five minutes. Do tell the viewer why your project is different and awesome and what the world needs now!

This is my starter list. More to come in a future post.

And Remember

Even though A Life’s Work is not crowfunding at the moment, you can still support the film monetarily. You can contribute as little as $5 and as much as $15,000 online, and since A Life’s Work is a sponsored project of the New York Foundation for the Arts, whatever amount you contribute is tax-deductible. To donate, click here. It’s super easy. Any amount is greatly appreciated and helps in many ways. And I’ll send you something nifty in return.