About A Life’s Work


You are reading a blog that focuses on the making and the makers of  A Life’s Work, a documentary about people engaged with projects or research they may not see completed in their lifetime, projects that could have a profound, positive global impact. The edit is almost complete  —  we’re in the home stretch — and the film could really use your help!

More about the film and how you can help after … THE FEATURED VIDEO!

Why is so much recorded black gospel music lost? Watch and find out.

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The subjects of the film are:

Paolo Soleri in A Life's WorkPaolo Soleri, architect and guiding force behind Arcosanti, an “urban laboratory” in the middle of the Arizona desert. He has been involved in the construction of Arcosanti since the early 1970s. The makers of A Life’s Work were fortunate enough to conduct three extensive interviews with Soleri (in 2006 and 2012) before he passed away in 2013. Jeff Stein, A.I.A., his one-time mentee and now one of the people responsible for keeping Arcosanti going post-Soleri, has been interviewed before and after Soleri’s death.

Jill Tarter with students - A Life's WorkDr. Jill Cornell Tarter, Director, Center for SETI Research, SETI Institute. Dr. Tarter has been scientifically searching  for extraterrestrial intelligence since the 1970s. She was the basis for the Elie Arroway character in Carl Sagan’s science fiction novel, Contact, played by Jodie Foster in the Robert Zemeckis film.

Robert Darden in A Life's WorkRobert Darden, a journalism professor at Baylor University who heads the Black Gospel Music Restoration Project, an organization that is trying to identify, acquire, preserve, record, and catalog the most at-risk music from the golden age (roughly 1935-1980) of black gospel music.

Jared and David Milarch in A Life's Work


The Milarchs, father and son tree farmers and co-founders of the Champion Tree Project (now known as Archangel Ancient Tree Archive), who clone old-growth trees for long-term reforestation projects.

Help Us Finish This Film!

What’s A Life’s Work about? It’s a documentary in post production. You can find out more on this page.

We are in the home stretch and are raising money for post-production: specifically, to pay for archival footage rights, animation, sound mixing, color correction, E&O insurance and a bunch of smaller things. When that’s done, the film is done! It’s really very VERY close!

So here’s how you can help get this film out to the world. It’s very simple: click here, then click the “make a tax-deductible donation now” button, enter the amount you want to contribute (as little as $5, as much as $50,000) and the other specifics. That’s it. No login or registration required. Your contribution does not line my pocket; because the film is fiscally sponsored by the New York Foundation for the Arts, all money given this way is overseen by them and is guaranteed to go toward the completion of this film. Being fiscally sponsored also means that your contribution is tax-deductible. So why not do it? The amount doesn’t matter as much as the fact that you’re helping to bring a work of art into the world. And that, I think, is really exciting!

More than $1,600 has been given to the film so far, and that without really trying or the big hyped-up push of crowdfunding. Oh, how nice it would be for everyone if A Life’s Work didn’t have to crowdfund!

In addition to monetary help, there are many other ways you can support A Life’s Work. Why not consider being a part of the film’s growing community?

Questions? Email me at d a v i d ( aT } b l o o d o r a n g e f i l m s {d o t] c o m

Go ahead, make my day!

A documentary about people engaged with projects they may not complete in their lifetimes.